Portfolio of webinars
Salvatore Fisichella Webinar
Legendary Belcanto specialist, tenor Salvatore Fisichella, shares his experience in learning the technical and aesthetic principles characterizing his stellar career as the leading Belcanto specialist of the 20th Century.
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Webinar with Jack LiVigni #1
Join voice trainer - Jack LiVigni, in a discussion on: Understanding Chest Voice and the Tilt of the Larynx leading to head voice.
Practical approach to understanding how to tilt the larynx in order to develop a greater control of the head voice and of the passaggio.
Purchase at http://vimeo.com/ondemand/webinarjacklivigni1
Webinar with Jack LiVigni #2 on Vocal Registers
Voice instructor Jack Li Vigni speaks to the importance of understanding voice registration: low, medium, and high voice - in the various voice types and fachs.
Purchase at http://vimeo.com/ondemand/jacklivigniwebinar2
Webinar with Jack LiVigni #3
Join voice trainer - Jack LiVigni, in a discussion on: Voce Chiusa (closed voice): developing a "gathered" sound (suono chiuso o raccolto); the importance of appoggio and laryngeal narrowing.
Purchase at https://vimeo.com/ondemand/jacklivigniwebinar3
Webinar with Jack LiVigni #4
The 4th Webinar with voice instructor Jack LiVigni, - in a discussion on the Tenor High Voice: understanding the 3 elements of developing a fully connected high voice with squillo according to the Italian Tradition.
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http://www.vimeo.com/ondemand/webinarlivigni4
Belcanto specialist and legendary soprano, Nelly Miricioiu, discusses the complexity of the operatic art form at its highest levels. The discussion will center on elements of vocal technique, vocal artistry in the Belcanto tradition, and Nelly's experience at the highest levels of opera.
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Webinar with Jack LiVigni #5
Voice instructor Jack Li Vigni (Curtis Institute, Brooklyn College, Jette Parker Young Artists Program Royal Opera House Covent Garden, and General Director Mediterranean Opera Studio & Festival) on understanding the gentle phonation typical of the Belcanto tradition. Gentleness in phonation required to sing efficiently and high is often a challenging shift in self-monitoring. This webinar aims to identify the sounds, and propose exercises that can help singers in this quest.
Developing the Gentle Timbre: an exploration of the sound in various voice types. Every register, and every voice type, is characterized by specific conditions that allow for the emergence of the delicate timbre.Purchase at:
http://vimeo.com/ondemand/gentletimbre
Webinar with Jack LiVigni# 6
Voice instructor Jack Li Vigni (Curtis Institute, Brooklyn College, Jette Parker Young Artists Program Royal Opera House Covent Garden, and General Director Mediterranean Opera Studio & Festival) on linking legato, text, and relaxation to the transmission of emotion in singing.
Jack LiVigni, leads a discussion about how the sense of legato, the arrow of the sung text, and a general sense of naturalness and freedom from tension - opens the subconscious mind and allows us to communicate in our singing.
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https://vimeo.com/ondemand/legato
Webinar with Jack LiVigni# 7
In this Webinar, voice teacher Jack LiVigni (voice teacher for Curtis Institute of Philadelphia, Royal Opera House Covent Garden's Jette Parker Young Artists Program, Brooklyn College, and General Director of Mediterranean Opera Studio & Festival) speaks about the importance of the chest voice mechanism in establishing cord closure, and differentiating between singing in chest and using the mechanism of chest when singing in head voice dominance.
Jack LiVigni, leads a discussion about how the sense of legato, the arrow of the sung text, and a general sense of naturalness and freedom from tension - opens the subconscious mind and allows us to communicate in our singing.
Purchase at:
https://vimeo.com/ondemand/webinarchestandclosure
Join the magnificent Mezzo Soprano Jennifer Larmore in this webinar where she discusses crucial elements of vocal arts and of succeeding as an operatic professional.
Hear poignant suggestions on:
- How to warm up in character
- The Rossini style
- Avoiding scooping, pushing, beefing the voice
- The research and dynamic relationship with an agent
- Singing coloratura
- When is it right to sing a role
- Getting over fear in auditions and on stage
- Warming up in character
This is a must hear discussion for every aspiring operatic performer!
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